Thursday, May 17, 2012

Annie Get Your Gun Rehearsal Report 5/17/12


Annie Get Your Gun

Rehearsal report

 

Date

5/17/2012

Start

7:00

Stop

9:55

Break

8:18-8:22

Director: Ron Watson

Stage Manager: Jessie Drollette

512.299.2053

 

 

 

Late:  

Missing: Nick

Didn't Sign in:

 

General

Dance; Who do you love I hope

Next Rehearsal/Schedule

Saturday, May 19 Rehearsal Stage

1:00pm

 Music: Entr'acte/Pantomime Ensemble Work - All

2:30pm

 Catchup - TBD

3:45pm

 Blocking: Act I Scene 1,2 Frank and Annie, Charlie and BB - Frank, Annie, Buffalo Bill, Charlie

 

Just FYI, on Saturday Georgetown is hosting a bike race so parking may be crazy!  Attached is a map of detours, parking and the route. 

Set 

Props

Sounds/Lights/Special FX

Costumes

Facility

Director

Choreography

Music

slowed down a section of the music for dance.

Actors  

All actors need to send me a bio and headshot no later than Monday may 28th.  Your Bio may be 100 characters long.  If longer the management will cut without contacting you, so do your best to make it 100 words.  Production Staff are also required to get me a monologue no longer than 100 words.

 

Parents

Crew

Accident/Incident

Dumb Stuff it's fun to find out

"Swing dance" is most commonly known as a group of dances that developed with the swing style of jazz music in the 1920s-1950s, although the earliest of these dances predate "swing era" music.[1] The best known of these dances is the Lindy Hop, a popular partner dance that originated in Harlem in 1927 and is still danced today. While the majority of swing dances began in African Americancommunities as vernacular African American dances, some swing era dances, such as the Foxtrot and the Balboa, developed in white communities. Swing dance was not always used as a general blanket term for a group of dances. Historically, the term Swing applied with no connection to the Swing era, or its Swing music. The Texas Tommy Swing dance first appeared in print in 1910 in San Francisco (Barbary Coast). Into the 1920s and 1930s every major cities had their own way to dance, based on regional roots, and influences.

Quote(s)

"Jill you're a boy!" Jesee

 

 



 

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